“No one in this world comes from nothing,” My Name Is Lucy Barton by Elizabeth Strout

Lucy Barton says:
But there are times, too – unexpected – when walking down a sunny sidewalk, or watching the top of a tree bend in the wind, or seeing a November sky close down over the East River, I am suddenly filled with the knowledge of darkness so deep that a sound might escape from my mouth, and I will step into the nearest clothing store and talk with a stranger about the shape of sweaters newly arrived. This must be the way most of us maneuver through the world, half knowing, half not, visited by memories that can’t possibly be true. But when I see others walking with confidence down the sidewalk, as though they are free completely from terror, I realize I don’t know how others are. So much of life seems speculation (14).

I liked that Lucy said this. It feels like such an intimate confession. How many times have I walked down the sidewalk, believing that other people seemed to be very confident with themselves and their lives, while I was feeling like a lonely sinking ship out in the open sea? But the truth is, I think many people feel this sense of loneliness that Lucy describes. It’s just hard to tell because it’s not something that people advertise about themselves. When Lucy talked about being “filled with the knowledge of darkness so deep” that she feels the urge to strike up a conversation with a stranger just to tamper down that sense of loneliness, I felt multiple emotions. First, I immediately felt pity. Then, I realized that the person walking into a clothing store in November – escaping from the cold, and warming herself up with a light conversation with a stranger – could easily have been me. It’s possible to be surrounded by many people and still feel desperately lonely. From what Lucy said, I felt both pity and empathy.

My Name Is Lucy Barton by Elizabeth Strout is one of the strangest books I have read, mostly because the story doesn’t seem to flow from the beginning to the end of the book. The story is told in snippets that feel (to me, at least) as though they were arranged randomly. And honestly, I wasn’t quite sure what to make of it even by the end of the story. What I do know is that in the beginning of the novel, Lucy Barton is ill, and for most of the book, she is staying at the hospital to recover. Her mother comes to visit her, and while I know this now, when I was reading the book, I wondered if Lucy was imagining her mother. I had to pick up on textual cues, such as “the doctors looked at both my mother and me” (this is not an actual quote) to make sure that Lucy was speaking to her actual mother, and not the ghost of her mother. At times, I went back to these cues a few times, just to make sure.

While I understand that this book is about the complicated relationship between Lucy Barton and her mother, what I liked was when Lucy mentioned things about herself and her own life, especially things like this:

Looking back, I imagine that I was very odd, that I spoke too loudly, or that I said nothing when things of popular culture were mentioned; I think I responded strangely to ordinary types of humor that were unknown to me. I think I didn’t understand the concept of irony at all, and that confused people. (28)

From listening to the story of her life, I got to know the “internal” side of Lucy Barton. But for someone who doesn’t know this side of her, they may only see what is on the “outside,” which may be simple facts such as that Lucy Barton is a mother of two daughters. Oh, and that she has divorced her first husband (the father of her two daughters) and is now married to her second husband. Once, her mother-in-law (from her first husband) told someone that Lucy came from “nothing,” which could refer to the fact that when Lucy was growing up, her family didn’t own a house of their own. But this is no longer the case by the time Lucy tells her story. I think it’s even possible that if one were to pass Lucy Barton on the street, she may seem to be just another person walking down the sidewalk with confidence, even though this couldn’t be further from the truth.

This book reminded me that there are things we will never know about those around us unless they choose to share with us. I guess the same works for what we ourselves choose to disclose to others. In either case, Lucy Barton tells the reader:

“…this one is my story. This one. And my name is Lucy Barton.”

 

<Works Cited>
Strout, Elizabeth. My Name Is Lucy Barton: a Novel. Random House, 2016.

 

 

“I guess we can’t just pick the good things to remember, can we?”: The Inexplicable Logic of My Life by Benjamin Alire Saenz

“I guess we can’t just pick the good things to remember, can we?”: The Inexplicable Logic of My Life by Benjamin Alire Saenz

“The thing is, I didn’t want to stop. I wanted to know what it felt like to be drunk. You want me to explain this with logic? Well, where was the logic to loving? Where was the logic to dying in accidents? Where was the logic to cancer? Where was the logic to living? I was starting to believe that the human heart had an inexplicable logic. But I was also starting to get drunk, so I wasn’t trusting anything I was thinking.”
-Salvador from The Inexplicable Logic of My Life by Benjamin Alire Saenz

Do you know about the Sewol ferry disaster in South Korea? If you don’t, then check this link out: https://en.wikipedia.org/wiki/Sinking_of_MV_Sewol

Just when I was finishing this book, my co-workers and I were talking about this incident. Something about the idea of “inexplicableness” of life that Benjamin Alire Saenz portrays in his novel seemed to click with the “inexplicableness” of the incident of the Sewol ferry disaster. That day, as my co-workers and I remembered the tragedy, and I was finishing Saenz’ novel, rain poured down all day from the sky, and I thought that the sky, too, must have been crying over the loss of many innocent lives.

This is something that always puzzles me. There are people in the world who commit horrendous crimes who get to live luxurious lives, while there are people who spend their lives working hard and trying to do good who never get what they truly deserve. We grow up, learning from our teachers that we need to work hard and do what is right. Why bother teaching kids this when the world doesn’t work this way? And, really, what kind of world do we live in? How can our world be explained “logically” and “sensibly”?

Salvador’s father, Vicente, is a gay man. He and Salvador’s mother had both been students at Columbia, and when Salvador’s mother realized she was going to die without anyone to look after her baby, she asked Vicente to look after him, and he agreed. That was how Vicente and Salvador’s mother were married. Even though Vicente is not Salvador’s biological father, Vicente loves Salvador and cares for him as if he were the biological father, and Salvador also loves Vicente as if he were his biological son. “Logically,” this situation is a teensy bit complicated to make sense, but that’s how it works in Salvador’s world.

Salvador shares a memory:
The sky had cleared after a summer storm. I’d been crying, and he (Vicente) tried to get me to smile. “Your eyes are the color of sky. Did you know that?” I don’t know why I remembered this. Maybe it was because I knew he was telling me he loved me.

There are many things in Salvador’s life that don’t make sense – his grandmother’s cancer, his best friend Samantha’s mother’s death, and his warm-hearted friend Fito and his cold-hearted family – but with the guidance of his father, he is able to take things one step at a time. Saenz’s novel made me wonder about the illogical, unfair, and inexplicable things that happen to people, and how, most of the time, people miraculously make it through. Who can possibly provide a logical explanation as to why Salvador’s grandmother had to die from cancer, or why Samantha’s mother had to die from a car crash? That day, before Samantha’s mother had died, she had written on the bathroom mirror with lipstick, “Just because my love isn’t perfect doesn’t mean I don’t love you,” a memory Samantha will carry with her always. Where is the logic to these things? And, what does it matter that Salvador’s dad isn’t his biological father? Who decides these things anyway? The more I think about the logic of things, the “certain things have to be done in these particular – a, b, c – ways,” the more unsure I become. The most hardworking, honest person can get killed in an unexpected accident. At the same time, the person who causes that accident can live a long and prosperous life, maybe not even remembering that he/she had caused a person’s death. There is no logic to many things that happen in our world.

Vicente had been there when Salvador’s mother gave birth to him, and so, really, from the very beginning, Vicente had loved Salvador with all of his heart. Vicente had always been there for Salvador, and when Vicente’s mother suffered from cancer and eventually passed away, Salvador had the chance to be there for his father. In one scene, the narrator describes the conversation between father and son:
I (Salvador) sat on his bed. “Dad?”
“Yeah?”
“I just wanted to make sure you were okay.”
“It’s hard,” he said. “Grief is a terrible and beautiful thing.”
“I don’t think it’s so beautiful.”
“The hurt means you loved someone. That you really loved someone.”
“Dad.” I reached for his hand. “I’m here, Dad. I mean, I’m really here.”
My dad took my hand. “This is a good hand,” he said. “A very good hand.”

Work Cited: Sáenz Benjamin Alire. The Inexplicable Logic of My Life. Clarion Books, Houghton Mifflin Harcourt, 2017.